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    April 12

    余华在拔牙的时候,谁知道他会砍字来着?

    上个周末,连夜看完余华的《兄弟》第二部,
    有些荒诞的意味,
    千万个爆发户的经历都堆积在李光头身上,
    所有的人物都充满了近似脱离了现实的夸张戏剧,
    真的如同华娱的世相夜总会的那句“人生放大镜”的写照。
    相比之下,我更喜欢第一部,并为之感动。
     
    余华在正式写作之前的工作是牙医,
    难怪写字如同砍柴,不做作,少虚伪。
    可我好象更关心他帮别人拔牙时的心情,
    还有,第一个伯乐是谁?
     
    都梁的东西也很好看,《血色浪漫》、《亮剑》,
    人物鲜活,叛逆地充满个性。
    去年底,我还向几个广告本土老板推荐《亮剑》,
    本想借此试图推动他们发现并赏识李云龙这类人,
    无奈,不知道是我太新潮,还是他们整天忙着生意不闻窗外事,
    让我热脸碰到冷屁股,自讨没趣。
     
    李云龙这种人纯粹就是异类,
    不遵守纪律,满身匪气,满脑子诡异点子,不会行文做赋。
    从某种意思上说,李云龙既代表了许多扎根本土广告公司的人才,
    也象征着充满了个性不善规矩的下属。
    既然中国革命胜利靠的就是这些不受约束的异型人,
    都说商场如战场,
    可我们看到的不过都是些名利场,
    广告公司为什么宁愿选择听话缺乏想法的,
    也不能以宽容之心接纳和包容这些更能做出效果的人呢?
    罢了,还说干吗,正所谓有这样的老板们就有这样的广州广告之败落景象,真不知道他们满脑子除了钱,还会有多少人思考其他。
     

    Comments (2)

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    坤 傅wrote:
    大智慧和小聪明之争总是在继续着,谁又能知道大智慧有时候只是小聪明,而小聪明才是大智慧呢
    Apr. 16
    丫丫wrote:
    第二部也不错的,至少真的体现了兄弟这两个字的含义。
    Apr. 12

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